thank you.


slightly cooky.


a love song (w.c.williams).

What have I to say to you
When we shall meet?
Yet—
I lie here thinking of you.

The stain of love
Is upon the world.
Yellow, yellow, yellow,
It eats into the leaves,
Smears with saffron
The horned branches that lean
Heavily
Against a smooth purple sky.

There is no light—
Only a honey-thick stain
That drips from leaf to leaf
And limb to limb
Spoiling the colours
Of the whole world.

I am alone.
The weight of love
Has buoyed me up
Till my head
Knocks against the sky.

See me!
My hair is dripping with nectar—
Starlings carry it
On their black wings.
See, at last
My arms and my hands
Are lying idle.

How can I tell
If I shall ever love you again
As I do now?

rain rain go away.


lemme occupy your mind like you occupy mine.


bird of fire (rowan ricardo phillips).

Bird of Fire

E il suo
Volo di fuoco m’accecò sull’altro

The blurred moon, blanched in the new evening sky,
Amazed me as a child. How could it live
At the same time as the sun, (Downstar
I called it), captured by the melody
That rang out from it, dusk-bright, like a phoenix
Downed in civil twilight. The difference

Between the two, I thought, was difference
Itself: it made things real. But is the sky
Real? Aren’t its blue moments, like the phoenix,
Just the mind’s conjugations of ‘to live,’
Or the brain’s long division of ‘to die’?
Rouge le soir, bel espoir, sings the Downstar

Down night’s starry throat, already elsewhere, Downstar
No more, no longer the sweet difference
Between real and dream I knew. I will die.
I am not a dream. I am not quite real.
I am a dream’s firm ground. And I live
Because they are not what I am. Keep this

Thought for me, poetry, as the phoenix
Seduces dreadnoughts to strum the downstar
To sleep, and the skyline’s lights begin to live
Like notes in air; and in that difference,
That sleight of sun, may night remake the torqued sky
And distill dream and real from live and die.

A red cloud, speckled like an amorphous die,
Ferries the internet’s dead. ‘Off to Phoenix!’;
‘TGIF!’; ‘Double Rainbow!’; ‘Nice sky
Tonight!’; ‘Don’t let this get you down, Starr.’
They speak, spammed or hacked, the indifference
In that act excused in saying, ‘A guy’s got to live.’

I chased the verb with the bird that always lives,
Saddled on its nape as it dove to die,
Its neck arched to the moon. Indifference
Spread through its ash-blonde body now phoenix
No more, now part of the ground, now downed star.
Its frame, first feathered by flames, flailed blue. Sky

Swallowed the phoenix, seized round the Downstar,
Sang sky down to the city, burned livid
Until it didn’t, then praised the difference.

Taken from the forthcoming collection The Ground.


sail ‘n’ some yoga. awesome music and moves.


the more loving one (w.h. auden).

Looking up at the stars, I know quite well
That, for all they care, I can go to hell,
But on earth indifference is the least
We have to dread from man or beast.

How should we like it were stars to burn
With a passion for us we could not return?
If equal affection cannot be,
Let the more loving one be me.

Admirer as I think I am
Of stars that do not give a damn,
I cannot, now I see them, say
I missed one terribly all day.

Were all stars to disappear or die,
I should learn to look at an empty sky
And feel its total dark sublime,
Though this might take me a little time.

nothing twice (w. szymborska).

 

Nothing can ever happen twice.
In consequence, the sorry fact is
that we arrive here improvised
and leave without the chance to practice. 

Even if there is no one dumber,
if you're the planet's biggest dunce,
you can't repeat the class in summer:
this course is only offered once. 

No day copies yesterday,
no two nights will teach what bliss is
in precisely the same way,
with precisely the same kisses. 

One day, perhaps some idle tongue
mentions your name by accident:
I feel as if a rose were flung
into the room, all hue and scent. 

The next day, though you're here with me,
I can't help looking at the clock:
A rose? A rose? What could that be?
Is it a flower or a rock? 

Why do we treat the fleeting day
with so much needless fear and sorrow?
It's in its nature not to stay:
Today is always gone tomorrow. 

With smiles and kisses, we prefer
to seek accord beneath our star,
although we're different (we concur)
just as two drops of water are.

what is it about kitsch?


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